Rewind records your live service — the multiview your director watches and the comms your crew talks on — then lets the whole team drop timestamped notes and study what happened. It's a film room for the people who run the room.
Your services land in a library on the left. Open one and you get the recording, a timeline of every marked moment, and a place to write — with the team's notes building up on the right. No exports, no group chats, no digging through an unlisted YouTube link.
Every captured service, newest first. No uploading — they just show up.
Each mark is a pip on the scrubber. Jump straight to what someone flagged.
Pause, write what you saw, ⌘↵ to save. Tag the operator as you go.
The whole crew's marks in one column — attributed, tagged, kept indefinitely.
Rewind is built around one job: helping the crew see what happened and get better at it. Here's what that looks like in the app.
Pause anywhere and write what you saw. The mark lands on the timeline so anyone can jump straight back to that moment.
The director's calls and the crew's cues ride along as a second audio track — so you can hear the "ready three" behind every cut, not just see the result.
Tag each mark to a role — Cam 2, switcher, audio, graphics. Role-first, so it keeps making sense as volunteers rotate in and out.
Snip the 20 seconds that matter and send a link — scoped to your workspace, never a key to your streaming account.
Marks trend over time so you can see progress — "Cam 2's framing notes are trending down" — instead of relying on memory.
The crew signs into Rewind by invitation — not into your YouTube, Resi, or Boxcast account. Each workspace sees only its own services.
Rewind runs the same loop every Sunday. The service gets captured automatically, the crew marks what mattered, and those notes turn into the next conversation with the team.
Point Rewind at your stream and every service shows up in the library — no one has to remember to hit record or export a file.
During the week, anyone on the team scrubs the recording and drops timestamped marks — a great shot, a missed cue, a graphic to fix — tagged to the operator.
Walk the timeline together, pull clips, hand out follow-ups. Over time the scorecards show the team actually getting better.
Start frictionless on the public stream you already publish, or wire the production rig in directly — that's where the multiview and comms live.
Auto-capture your church's public live stream. YouTube today; Vimeo and Boxcast next. Zero upload labor — services just appear, ready to mark.
For plants and volunteer-run rigs without a multiview yet. Same marking UI, same crew workflow, no production-side install.
Point your encoder at a per-org RTMP endpoint. Send your multiview as the video. When your rig has a clean comms tap, add it as a second audio source in the same encode — one synced ingest, not two streams.
Most churches don't record comms today — it's net-new infrastructure, not a config toggle. Complexity varies by intercom system: some tap in quickly, others need routing work. Contact us to scope it.
Your church runs Rewind to review its own services and coach its own production crew — camera, switching, lighting, lyrics/graphics, and audio. Mark what happened, debrief from the timeline, and track improvement week to week.
Source: direct RTMP multiview + comms from your encoder.
Coaches run every client from one login on YouTube and uploads. Churches own their workspace and private captures on RTMP — invite a coach as a seat, keep everything if they leave. Priced per coach or per org — never per seat.
The coaching loop on your public YouTube stream. One workspace, two channels, unlimited crew.
Start freeFor independent coaches — unlimited client workspaces, each church on its own channels.
Source: YouTube + uploaded video
Manage all your client churches from one account. Each client logs in to review and respond.
Subscribe CoachRecorded multiview over RTMP — plus comms where your rig supports it — with attribution, clips, and scorecards.
Source: Direct RTMP multiview from your encoder
Your church owns its account, recordings, and data — invite a coach anytime, keep everything if they leave.
Book a setupOne org, multiple campuses — RTMP at every campus. Not for coaches across unaffiliated churches.
Talk to JoelThe practical stuff — what you need, what gets recorded, who can see it, and how Rewind fits alongside the tools you already run.
For the free Watch tier, just a public YouTube live stream. Point Rewind at your channel and services start showing up in the library — nothing to install.
For Film Room, you also send your multiview to Rewind. Most rigs use an HDMI tap off the back of the switcher into a small capture box; we ship a preconfigured image and help wire it on a setup call.
YouTube Live today, with Vimeo and Boxcast next on the Watch side. For Film Room, Rewind gives you a per-org RTMP endpoint that OBS, an ATEM, or Resi can point to as a custom destination.
When your rig can produce a clean comms feed, it rides along as a second audio source inside the same multiview encode — not a separate stream — so it stays in sync with the picture. But most churches don't record comms today: it's net-new infrastructure and a behavior change, and complexity varies by intercom system. Contact us to scope your setup before assuming it's simple.
The crew is told comms is recorded for review, and recordings follow your retention window (90 days by default).
No. The crew signs into Rewind by invitation to your workspace. They never touch your YouTube, Resi, or Boxcast credentials, and each workspace only sees its own services.
Frame.io reviews the finished cut; Resi and Boxcast make and deliver the stream. Neither captures the multiview your director watches or the comms your crew talks on.
Rewind sits in that gap — on the live feed and the headset — and turns it into something the team can study. Use Frame for the edit; use Rewind to coach the people running the room.
Per organization, not per seat — bring the whole crew at no extra cost. Watch is free for churches; Coach is $49/mo for independent production coaches; Film Room is $99/mo; Network is $299/mo for multi-site. Add-ons cover extra feeds and longer retention. See full pricing →
We read every message. For Film Room, include your switcher, comms setup, and how many services you run per month — it helps us prep the onboarding call.
Watch is on right now — point us at your YouTube live and start marking this Sunday. Film Room is a 20-minute call to walk through the capture side; we keep that handoff high-touch on purpose so the comms governance and the audio sync land right.
We keep onboarding hands-on so the audio sync and comms governance land right.